Sculptures are formed through a process of growth and intervention. Crystals are cultivated directly on the surface, slowly encrusting the figures over time. The process is not fixed: layers are grown, altered, broken away, and regrown. Each stage holds a tension between control and chance, combining geological processes with artistic intent.

 

The result is a hybrid form, where the crystalline growth does not simply decorate the sculpture but transforms it. Fragile yet unyielding, these surfaces reveal bodies caught in ongoing change—artworks that are both made and grown, suspended between matter and metamorphosis.