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My work explores the body as a vessel of ritual, memory, and cultural inheritance.

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Through figurative sculpture, I create forms that are both sacred and monstrous—mutating bodies overtaken by crystal growths, suspended in states of erosion, flux, and metamorphosis. These figures are not fixed representations but material invocations—part relic, part residue, part becoming.

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The crystals are cultivated in-studio through slow chemical processes, allowing time itself to etch new anatomies across the surface of each figure. By working with resin, salt, and crystal, I approach sculpture as both a ritual object and a geological specimen.

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Rooted in a complex lineage, my practice engages with questions of origin, survival, and the entanglement of histories. Rather than seeking resolution, the work embraces multiplicity—figures caught between devotion and distortion, the beautiful and the brutal, the enduring and the dissolving.

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My sculptures are fossils from the future: objects of reverence for worlds not yet born, inhabiting thresholds where memory and material converge.